Acrylics on canvas 12 x 12
Here is the second of an imaginative series. I am having fun!
Acrylics on canvas 12 x 12
Here is the second of an imaginative series. I am having fun!
Acrylics on canvas 12 x 12
Taking a break from portraits, I decided to play with some imaginative shapes turning into landscapes. Here is the first one.
Acrylics, 18 x 20 canvas
All these portrait paintings for the last 2 years make me concentrate so much.. I haven’t done any imaginative paintings in months! To think I used to do them daily!!
So I was very happy to get into this one during the week-end workshop… I am not sure it is finished, but I had a great time playing.
I discovered Karen Ingalls recently. I love her sense of colors. So I signed-up for a week-end workshop she was teaching: Acrylics 101. It is good to go back to the basics. I realized I had never learned the basics of acrylics, always jumped in, in a class or another..
I learned so much in that class, Karen is an outstanding teacher, very methodical, covering everything but also very encouraging, letting one explore. There was never a dull moment and we finished two paintings.
Karen first explained the differences between the different types of brushes. In all my years of community classes, no one had ever done that!! I also learned how to properly clean my brushes…
Here is a pear, we all made pears. Before getting to the painting part, we learned about composition and making thumbnails. This was not rushed, but given a lot of importance.
I chose a crazy composition, a pear from an angle. I thought it would be fun. I regretted it of course, as I quickly had a hard time keeping that bottom interesting and not a giant round ball. Karen’s demo was beautiful, with the colors bright and blended. I tried it, but decided to keep the sense of patches to give this little painting some interest…
Halfway thru the class, I decided to take a picture of my pears and send it to my kids. Somehow the lighting picked up the blues in the greens (of course, made from a Phtalo, no surprise here!), and I quickly got a text back: ” How fun! A blue pear! Beautiful!” :) Kids!! I could paint anything and they would get excited….
But, it gave me an idea…. Should I paint a blue pear?..😉
8 x 10 Oil on panel
I lead a day trip of snowshoeing 2 weeks ago. We had to drive three hours to get there. I am a morning person, so wanting to paint a snow scene, I decided to go early, the idea being that I would set up my easel at the trail head and paint while waiting for the others to arrive.
2 other folks decided to come early with me. When we got there, I started to pull out my backpack containing all my painting gear. (Unlike watercolors which can be quite minimal, oil painting involves a lot of equipment, starting with the easel!!)
To my surprise, the other 2 folks started to put their snowshoes on. “What are you doing? We are supposed to wait for the others… ” Well, there was no talking them out of going, they were so excited. I new Carl, the other leader would be fine with the rest of the group. But I REALLY had wanted to paint a snow scene. As the official leader, I could not let them go on their own, especially since the trail might not be easy to find if no one had used it after the last snow.. I could paint at the top… but how was I going to shlep all the stuff up the hill? As a leader, we already have a substantial backpack to carry, with large first aid kits and all matters of snow survival in case of trouble…
I decided that my best bet was to find a way to attach the two packs… with the help of the other participants, that is just what we did… and looking like a giant turtle with an enormous carapace on my back, we headed up the hill. Slowly but surely we got to the top 2 1/2 hrs later.
It was very windy, but a gorgeous sunny day. We found wind protection and unloaded our packs. After a well deserved lunch my two companions fell fast asleep in the sun. I pulled out my canvas and paints and looked at the peak across in the distance… I totally got lost.
I knew I had to paint fast and I only brought three colors plus a tube of white…
An hour and a half later, we were joined by the rest of the group and eventually all came down together.
Painting AND snowshoeing in the same day!! That’s heaven! :)
20 x 20 – 51 x 51 cm
Oil on canvas
After M. Alvarez
This is one of these paintings which are pure fun. No problems.. I loved the colors… There is something a little cockeyed about it, but I don’t want to fix it: it makes me smile as it is.
There is something a bit off with this girl… but I kind’ of like it… so I will leave it as is…
She speaks to me somehow…
Oil on canvas board 8 x 8
I would like to make a series of 8 x 8 paintings of coffee cups.
I will start with cups viewed from above. If you have any such pictures, would you send them to me?? Thanks!
Oil 40cm x 50cm, after J. Peralta
I wanted to practice by copying another artist, an old tradition in the arts.
I also set out to paint using only 3 specific colors. Many times I was tempted to add a brighter one, but resisted, and I am happy I did. I love the colors in this painting and how well they harmonize.
Oil 40cm x 50cm
This time, I made an effort to have my portrait resemble the model. A good exercise, but in the end, I find the painting boring… except for the colors! I had fun with the colors.
Beauty is over-rated: I like interesting faces with wrinkles, crooked noses, weather burnt skins…. :)
Continuing on my thought of daily entries in my “ArtBook”: the idea being to free myself from the sense of producing something “worth to be on a canvas”… This art book has no purpose but play, play , play…
(I have always been fascinated by Paisley: It is a very old symbol of a tear drop. I, on the other hand, always see a womb..)
This is the first entry in a new large art book that I am starting to-day. I will try to keep it playful and enter something almost daily…
Today, I was having fun with oranges and yellows!!
Fun fun !!
Making these little pieces is inspiring me to turn them into large ones…
I’m going to do just that!😉
Our model Tom, was an interesting man: an artist himself, he would come around and give us advice. A musician, he posed with a guitar. I was fascinated by his face, so I chose to do a portrait.
Before even knowing who was going to be our model, I had, at home, prepped my canvas with gesso and a stencil, to give it a faint textured. I had no idea how it would work, but I like the effect!
I had tons of fun painting this, and it went very fast.
Alcohol inks 4×4
Playing with alcohol inks.
Something my new friend Sandy M introduced me to. It is so unpredictable, I love it!
This painting was nothing but frustrations from the very beginning.
I did not care for my view point, but there was no other room in the class for me to stand. I was concerned that the large black mass of the skirt would overcome everything. But I kept at it and tried and tried.
I found it quite boring and not interesting in any way. So I added a window to try to give some sense to the pose: a person waiting… I still did not care much for it… then I added the cat. It seem to ground the scene, and give it some peace…
Still not my favorite by a long shot, but it is always good to push thru frustrations… right?? ;)
16 x 20 – Oil
Unconsciously, I changed this model to look (somewhat) like a Native American… Why? I am sure it is because I admire them so much. I share their total love and respect for all things of Nature. I envy their old ways of life, in great harmony with their surrounding world, taking only what they needed, giving thanks to the Earth, learning from other animals… Proud people with honor…
As I paint this woman, part white, part Native American, I wonder: “Why wasn’t I born and Indian?” :)
9 x 12 Canvas panel
I took a week-long class in the Grand Canyon, “Painting on the rim”.
It was, I must say, a week of frustrations: zillions of folks looking over my shoulder, taking my picture, and worst of all, talking to me. It was very hard to concentrate and actually paint. There was no avoiding them, buses were dropping them all day long..
Added to that, a very strict teacher who insisted on us using the exact colors mixed to her prescription. I would every now and then, put some oranges and reds, only to have them covered with some variation of purple…
I did learn a lot mind you, as the teacher was very clear, precise and organized. She had us paint 3 hours first thing in the morning, then a long break, and at it again in the late afternoon, for another 3 hours to get the best light of the day. Two different locations each day.
Plein air is not easy, as the light changes quickly and all looks different before one is finished. I learned to paint faster…
50 cm X 50 cm Oil
Why does France has to be so far???
I started this in France, in a need to loosen up after doing a portrait for several days… I really like this beginning and am excited about it. But I had to come back before I could finish it… it stands on its own in an empty house… and I am here, really wanting to work on it… GGGRRRRHHH….
14 in X 11 in (36 cm X 28 cm) Oil
While in France, my neighbor Mme Gay, whom I have known since I was 13 years old, had her 84th birthday. I decided to make a portrait of her husband who passed away several years ago. He had the kindest face and a twinkle in his eyes. My father respected him a lot and the two were good friends…
Mme Gay was so touched… I wished I had done a better job..
Oil on canvas 16 X 20 People wearing turbans and veils fascinate me…Their faces often carved by the weather, speak of years spent outside… relentless sun, storms of high winds and sand… not an easy live. Dreams of deserts and high plateaux… I am painting a series “Men in blue turbans”. There will be 5 men in blue turbans, and one in an orange turban (Orange, the complimentary color of blue). (Strange idea for someone who does not like to do pleats and folds…! )
Yesterday, I took a class from Joan Hoffman at the Point Reyes National Seashore (in one of their stunning old ranch house).
The class was about “color notes”: I learned that “color notes” are dots or blobs of colors. In other words, one applies the paint in short strokes which are not blended. (a bit like pointillism, but larger). The idea is to put colors next to each others and on top of each other, rather than blending. I LOVED it. Such fun it was. (I could see doing this with blasting music!! ) :)
Most ladies in the class were quite experienced and all very nice. I found our teacher to be very informative, joyful and positive. I will sure look for another class with her.
When we started, most of the hills were in fog and it was quite cold. All of us started to paint with cool colors… But of course, by noon, the sun had come out and although we remained in the same place, we were facing a new landscape. Good thing Joan made us do two paintings. She wanted us to paint fast, but I suspect she new the light would change drastically.
What better day than one spent outdoor and painting… I was in heaven!
16X20 Oil (Men in blue turbans #1)
For over a year now, our art teacher has brought in models who were beautiful young girls. I have suggested several times an older model or a model with signs of life on his/her face. But no, each time, here is another beautiful young woman… I longed for wrinkles… !! :)
So I found a picture on-line and went at it. Not easy, wrinkles… I find the face so interesting.
For the first time, I used a black canvas, which was tons of fun. Except for the background.. Doing the background last is not a good idea. I think this yellow is still too strong, I will lighten it a bit…